As ready and willing as Duritz is to come to Ravinia, he’s completely uncertain of what attendees should expect from the setlist outside of knowing the full catalogue is on the table with the “25 Years and Counting” aspect. “The set changes every night anyway, especially this summer because we’re not touring much,” he confirms. “I don’t know that there’s anything that I feel like we have to play. We tend to play ‘Long December’ most of the time. That’s never been boring to us, so that’s one we tend to play every night no matter what.Read More
“It makes you focus on a completely different part of your performance. I have a lot more stage to truly focus on musicianship, which is cool, but it’s also kind of scary because it’s very vulnerable. There are moments during the show that are very raw and quiet. You just have to embrace that silence and be totally comfortable in your own skin, focus and make something beautiful. I think for me this show is a lot more focused on the emotional side—I can’t help but get choked up almost every night at some point.”
Although Lee is an enthralling entertainer who can command a stage of any size, she’s also incredibly relatable as a songwriter who isn’t afraid to bare her soul on record or before a live audience. Selecting from her catalogue of songs for either incarnation of Synthesis was literally like going back through her diary, from her teens through getting married and becoming a mother in young adulthood, but the symphonic setting and ongoing reactions from listeners finally allowed her to embrace even the oldest entries.