One of the classical music world’s leading virtuosos receives a cinematic hug with the documentary “Itzhak” (2017). Billed as “a revealing scrapbook of his favorite stories, “Itzhak” moves through vignettes from his life, including his polio diagnosis at age 4, his breakthrough victory at the Leventritt Competition in 1964 and his five-decade marriage to Toby Friedlander, herself an accomplished violinist.Read More
The annual Gala Benefit Evening hosted by Ravinia’s Women’s Board to support the festival and its Reach Teach Play education programs grossed more than $1.1 million, making it one of the most successful in the 53-year history of the event. Chicago’s own Oscar- and Grammy-winning Jennifer Hudson made her Chicago Symphony Orchestra debut, headlining the only concert fundraiser Ravinia puts on for itself. George Hanson, who had served as an assistant to Leonard Bernstein, conducted the CSO for the July 14 concert. Nearly 800 guests attended the black-tie-optional gala, which proceeded with cocktails on Ravinia’s famous Lawn after the concert.Read More
Slatkin stepped down as music director of the Detroit Symphony Orchestra in 2018, marking the end of a 39-year run as a music director in the United States—first in Saint Louis, then the National Symphony in Washington, DC, then Detroit, which has named him its Music Director Laureate. (He has also been Conductor Laureate of the Saint Louis Symphony Orchestra since the 1996 conclusion of his tenure.) His calendar has far more open weeks now, but he will return to Ravinia to conduct the Chicago Symphony Orchestra in a program of Rachmaninoff and Rimsky-Korsakov on August 7.Read More
Securing its reputation as the definitive production of Leonard Bernstein’s massive musical Mass, Ravinia’s July 20 command encore presentation, with 200 artists on stage, will be taped for a national television special to air in 2020. The television production team is led by Emmy and Peabody Award-winning executive producer Samuel J. Paul (Live from the Met, The Kennedy Center Presents, American Style), producer Bernhard Fleischer, and director Michael Beyer. Broadcast details will be forthcoming.Read More
An argument can be made that today’s leading pianists lead more complete careers. They still perform abundant solo recitals and orchestral concertos like their forbears, but many also place a regular emphasis on collaborative chamber music. As evidence, look no further than four of the pianists featured this year at Ravinia—Daniil Trifonov, Jean-Yves Thibaudet, Jon Kimura Parker, and Marta Aznavoorian.Read More
George Stelluto, music director of the Peoria Symphony Orchestra, makes his summer home at Ravinia, where he serves as assistant conductor, understudying the repertoire to be performed by the Chicago Symphony Orchestra and ready to leap to the podium at a moment’s notice should an emergency arise.Read More
More than a century after his birth, Leonard Bernstein remains a pop culture phenomenon. Hot off the success of A Star Is Born, Bradley Cooper will direct and star in a biopic about multi-hyphenate who many consider the most important musician in American history. At the same time, America’s most successful filmmaker is remaking the treasured 1962 Best Picture Oscar winner West Side Story. Someone with Spielberg’s track record of blockbusters is in a position to pick only the best.Read More
There was a stunning moment in the Lyric Opera of Chicago’s “Celebrating 100 Years of Bernstein” gala this season. Kate Baldwin, on a brief hiatus from her Tony Award–nominated run in Broadway’s revival of Hello Dolly!, took the stage and delivered an ineffably moving rendition of Leonard Bernstein’s Vietnam-era protest song “So Pretty.” This affecting piece, with lyrics by Betty Comden and Adolph Green, was first heard in 1968 at the Broadway for Peace fundraiser co-hosted by Bernstein and Paul Newman. It was performed then by Barbra Streisand with the composer himself at the piano. The song tells of a land far away with golden temples and pretty people with shining hair—who we are told “must die for peace.” The text concludes with “But they’re so pretty, so pretty. / I don’t understand.”
Several concerts on the just-concluded 2017 Ravinia season were devoted to the music of John Adams in celebration of the American composer laureate’s 70th birthday year. But there is another Adams in town, John’s son Samuel Adams, who is beginning his third and final season as composer-in-residence at the Chicago Symphony Orchestra. Along with co-composer-in-residence Elizabeth Ogonek, Adams is also co-curator of the CSO’s MusicNOW series, which is celebrating its 20th anniversary this season.
What could make 10 hours of elves, dwarves, hobbits, and orcs even better? A live symphony orchestra, of course.
The Chicago Symphony Orchestra will perform the soundtrack to all three films in the Oscar-winning The Lord of the Rings trilogy on consecutive evenings August 18–20 at Ravinia, with the movies projected on screens in the Pavilion and on the lawn. The CSO had performed the individual films at Ravinia in previous years, but seeing the entire trilogy over three evenings will be a new experience in the Midwest.
Lionel Bringuier is only 30 years old, but he has a decade and a half of conducting experience that he will bring to the podium on July 11, when the Chicago Symphony Orchestra begins its 82nd annual residency at the festival. “I grew up in Nice, and my parents loved music,” he says, recalling his formative years as the youngest of four children. “My whole family and I used to go to concerts together. I was always amazed at seeing an entire orchestra onstage.”
July 25, 1936: George Gershwin's Sole Ravinia Performance
After the Chicago Symphony Orchestra took residence at Ravinia on July 3, 1936, perhaps the next great highlight of that summer came just a few weeks later. Thousands descended upon the freshly reinaugurated festival in hopes of seeing—but most certainly for the chance to hear—the inimitable pianist, composer, and songwriter George Gershwin.
Jorge Federico Osorio is a classical artist with an international career. Born in Mexico, he could make his home anywhere. Yet after living in New York City for seven years, followed by London for another 11, he chose Highland Park, IL, to be the place where he and his wife, Sylvana, put down their roots and raised their two sons, Dario and Santiago.
Legendary trumpeter and composer Wynton Marsalis has worn many musical hats across his remarkable career. Thus, the idea that Ravinia would co-commission a concerto from a guy who studied at Juilliard and performed Haydn’s Trumpet Concerto with his hometown New Orleans Philharmonic when he was a mere 14 years old is not so strange.
Sometimes the power of a film can sneak up on you and catch you by surprise. That was the experience I had when I saw James Cameron’s film Titanic—for the third time.
By John Schauer
A long time ago, when I was working as a journalist in California, I came to Ravinia to do a feature interview with James Levine, who was Ravinia’s music director at that time, and in the course of the interview he said something that still haunts me today, as if somehow he sensed what would happen as a result of “social media”—which of course did not yet exist at that time.
Though shortening daylight puts the end of summer clearly within sight, it also signals that anticipation for the next Ravinia season is beginning to grow ever larger. As the festival marks the 80th anniversary of the Chicago Symphony Orchestra’s annual residency—the centerpiece of each season—in 2016 Ravinia also celebrates the 45th anniversary of the debut of the conductor who would become the residency’s steward for 20 years: James Levine. In addition to the long-awaited return of this longtime, former music director, Ravinia also welcomes six new faces to the podium,
The story is told quite viscerally through music: a ship dripping dread appears suddenly in the darkness, ahead of a storm that portends death. Such was the setting of the final weekend of the Chicago Symphony Orchestra’s 2015 summer residency at Ravinia. Ah, yes, The Flying Dutchman. Or, wait, was it Star Trek?
When I learned that James Levine would return to conduct the Chicago Symphony Orchestra at Ravinia for the first time since the end of a fabled tenure as music director, it made me think back to the first—and only—time I ever met him.