rewind: September 11, 1987

One thing that all fans of classical music might agree on is that little is as thrilling as hearing a youthful musician playing to a standard of technique and artistic mastery more commonly associated with a player two or three times her age. There may be an element of democracy in the perception of talent, but when it came to a barely teen-aged Midori, the public opinion was beyond clear. With one of her earliest performances in the United States being with the New York Philharmonic at its New Year’s Eye gala at the age of 11, reputation already preceded the violinist taking the Tanglewood stage for Leonard Bernstein’s annual Serge and Olga Koussevitzky Memorial Concert with the Boston Symphony in 1986.
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Rewind: August 27, 2002

It’s a no-brainer to say that music is Ravinia’s passion. And yet, until 15 years ago the only musical Passion that had been heard at the festival was J.S. Bach’s Saint Matthew Passion—granted, it is the most popular setting of the narrative in classical music today. (Before James Levine led the Chicago Symphony Orchestra and Chorus in a pair of performances of Bach’s masterpiece in 1978 and 1980, Ravinia had presented back-to-back performances of Andrew Lloyd Webber’s Jesus Christ Superstar in 1971, but its loose interpretation of Biblical accounts makes its categorization as a Passion narrative questionable.)

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