Stravinsky
It happens all the time. A famous, beloved artist falls ill (or, as is sometimes the unpleasant case, gets what may be regarded as a better offer). It even happens at Ravinia. A famous, beloved artist cancels, and management scrambles for an appropriate replacement.
Some cases become memorable, star-making events. Other cases are quickly, even mercifully, forgotten.
Janni Younge believes passionately in the power of puppetry. Although the centuries-old art form might seem passé in a world where video games and other online diversions are available in seconds, she believes it is even more needed than ever as a tangible antidote to such high-tech escapism. “People are relating to a very ancient instinct,” says the South African puppetmaker, “which is to enjoy the animation of an inanimate object. Particularly in contemporary puppetry, where you see the performers creating life in a thing that is clearly not alive, there is a kind of electricity that happens. We relate to it on a very primal level.”