Kian Soltani, one of classical music’s rising stars, is in a committed new relationship and they are making beautiful music together. She has accompanied the 27-year-old cellist to some of the world’s most celebrated venues, including the Kennedy Center, Carnegie Hall (where he made his acclaimed recital debut last spring), and now Ravinia, where he will be the featured soloist for the annual Tchaikovsky Spectacular.Read More
One of the immortal composers of classical music, Peter Ilyich Tchaikovsky, will join the ranks of such LGBT icons as Alan Turing and Sylvia Rivera with a biographical memorial in Chicago’s award-winning outdoor LGBT History Museum “The Legacy Walk.” Sponsored by Ravinia Festival, Ravinia Board Chairman Jennifer Steans, Illinois State Senator Heather Steans (7th District Democrat), and Ravinia President and CEO Welz Kauffman and husband Jon Teeuwissen, the Tchaikovsky exhibit will be unveiled at 2 p.m. Saturday, Oct. 13, on the Legacy Walk, which spans 3245–3705 Halsted St., Chicago. Award-winning jazz pianist-composer-accordionist Ben Rosenblum will give a street performance at the dedication and will make his Ravinia debut later that night. A “Dedication Celebration” will follow the installation at Sidetrack, 3349 N. Halsted St., Chicago.
Tchaikovsky’s “1812” Overture is unquestionably one of classical music’s all-time greatest hits, right up there with Beethoven’s “Moonlight” Sonata, Vivaldi’s “Four Seasons” concertos and the “Wedding March” from Wagner’s Lohengrin. Yet it gave me pause when a friend who is not particularly into classical music asked why, in particular questioning why such a fuss is made about using real cannons, as has been done every year at Ravinia for nearly four decades. After long thought, I came up with a theory that attributes the phenomenon to recording technology.