The covers of Ravinia's programs from its opening in 1904 through the 1930s were gorgeous “mini-posters” designed by well-known Chicago-area illustrators. I’d run across them in used bookstores and junk shops, where they were usually mixed in with old magazines and comic books. By the time I left for college, I’d been able to gather together most of the run. You’ll notice names like Hamilton King, James McCracken, Stark Davis, and intaglio artist Allan Weary. There’s also a 1930 program cover designed/illustrated by then Chicagoan Hal Foster, who was between Tarzan strip assignments.
I was surprised when I encountered a 1957 ad for the “Ravinia” Webcor turntable with very little information about its connection to Ravinia. At first I thought maybe it was just a coincidence that it shared the name of America’s oldest music festival, but further digging uncovered another ad from 1954 that gets as close as possible to referencing the festival itself without explicitly doing so. It states, “… you have the unmistakable impression that a ‘live’ orchestra is performing in your presence. That’s why the experts call the Ravinia’s performance—‘living presence.’” Coincidence? I think not.