When internationally celebrated conductor and harpsichordist Jeannette Sorrell was a child in San Francisco, she practiced piano at home on a paper keyboard. The idea that Sorrell would someday become the mastermind behind Apollo’s Fire, Cleveland’s award-winning Baroque orchestra, wasn’t on anyone’s mind then; but her passion and ingenuity were already evident.
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Bach to Bach: Going for Baroque is an Instrumental Decision
in Classical
A significant debate in the performance of classical music that originated in the mid-20th century was whether or not to play Baroque-era music on 18th-century instruments or on their modern-day counterparts.