Rewind: July 5, 1957

You always remember your first. As the curtain rose on 1955, the Metropolitan Opera presented its first African-American cast members: contralto Marian Anderson as Ulrica in Verdi’s Un ballo in maschera and, three weeks later, baritone Robert McFerrin as Amonasro in Verdi’s Aida. McFerrin was subsequently specially chosen by composer/conductor Virgil Thomson to breathe life into his Five Songs from William Blake—both the singer’s Ravinia and Chicago Symphony Orchestra debuts—on a program of Thomson’s works at Ravinia on July 5, 1957.
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Meryl Streep triumphs and nauseates as Florence Foster Jenkins!

As a classical musician, there is nothing I hate more than people ridiculing my art. When the only representations of opera singers in the media are fat, sweaty tenors and sopranos the size of battle cruisers, you tend to be pessimistic as to whether or not it is possible to portray a passion for classical music in a way that a modern audience would find inspiring.

In the most unorthodox way, Florence Foster Jenkins proves that classical music, though often seen as stuffy and alienating, stems from a burning adoration for the art of bringing music to life.

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