Welz Kauffman

All's Welz that Ends Well—Part 2

All's Welz that Ends Well—Part 2

You’ve cultivated the idea that the “Ravinia experience” is not just coming because Aretha Franklin or the Chicago Symphony is here, but because of the amenities that are also here.

That’s exactly right. And for a Ravinia Family concerned about music audience, the fear with the development of Millennium Park was that Grant Park and its house orchestra would become so popular that it would steal people away from the CSO at Ravinia. And so that one assumption got me to thinking, We’ve got to do something here …

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All's Welz That Ends Well—Part 3

All's Welz That Ends Well—Part 3

In addition to the commissions, you initiated several new programmatic series, various festivals and spectaculars, as well as the five-year music theater Sondheim Project.

It was hard to go from concert production for the CSO—which is stands and chairs and a podium, sometimes a piano, maybe choral risers—to a really fully staged Sweeney Todd with costumes, lighting, staging, things like that. I remember, for many members of the Ravinia Family, it was their first time seeing a Sondheim show …

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All's Welz That Ends Well—Part 4

All's Welz That Ends Well—Part 4

Quite a journey. One that brings us to Marin Alsop.

Marin and I got to know each other when she was running the Long Island Philharmonic in the ’80s, and our paths have crossed a lot ever since. I was always trying to engage her for the various places I worked, and what finally made that happen, in what turned out to be her New York Philharmonic debut, was the Completely Copland Festival in 1999. And a little under a year later when I arrived at Ravinia, we started working to bring her in on a regular basis. And then I was able to bring her back for our Bernstein celebration …

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All's Welz That Ends Well—Part 5

All's Welz That Ends Well—Part 5

What is the post-Ravinia future for Welz Kauffman? Will you be staying in the area? Do you see yourself being a regular here?

My husband Jon is doing some consulting work in Detroit; that might turn into a full-time position. Maybe we’ll move there. We also both have very strong ties to Tucson. But I do believe that it will be important for me—and for my successor—to have me gone. I’ll always be available on the phone if they find something funky in the file drawer. But one of the great things that Ravinia board chairs do is they get out of Dodge when they finish their three-year term. It’s giving space to their successor. I’m thinking that might be a good model …

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Ravinia Makes A Difference

Ravinia President & CEO Welz Kauffman dropped by the NBC5 Chicago studios to discuss with Kye Martin the importance of the festival’s Reach*Teach*Play education programs to the development of young students. Over 85,000 community members are served through Ravinia’s RTP Programs each year, ensuring that music education remains accessible to all. The programs are designed to educate, foster diverse audience involvement, and provide the population with equitable access to live music experiences in their communities and at Ravinia.

A Hero Returns to Literally Thunderous Applause

If you couldn’t be there in person, which is always Plan A, by now you have heard about the night of July 23, 2016 at Ravinia. And if I have my say, you will hear about it again. James Levine returned to Ravinia for the first time since 1993. And the gods seemed to herald his triumph with the thunder and lightning of a torrential storm for the record books. But you didn’t need a Doppler to detect that something historic was going down in Highland Park.

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Ravinia's Man Behind The Curtain

Carlos Santana once told Welz Kauffman that he’d never play Ravinia. Nothing personal, he said, just that “my audience won’t come.”

The year was 2000, and Kauffman had just taken the reins at the legendary Highland Park music festival with a vision to build on the historic venue’s proud legacy of presenting a wide variety of great concerts.

“From the beginning Ravinia presented a mix of classical concerts and the cutting-edge acts of the time, whether it was Benny Goodman introducing a mixed-race band in the 1940s to Janis Joplin and Frank Zappa in the 1970s,” Kauffman said. “But as the classical programming continued to feature the brightest talents in the world, for about 30 years, we lost our way a bit on the nonclassical side, allowing it to get pretty dusty.”

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Seven Highlights from the 2015 Summer Season



As an intern at Ravinia this summer, I was pleasantly surprised to find that Ravinia is much more than just concerts. In reality, Ravinia is about the experience, the tight community culture, and all the small things we do here that may (or may not!) go unnoticed by the concert-goers, but help make it an exciting place to be a part of.

As the 2015 season comes to a close and nostalgia starts to set in, I wanted to relive some of those moments from this summer. Join me on a trip down memory lane with my 7 favorite moments from the 2015 season.

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CEO Welz Kauffman Goes Where No Man Has Gone Before

Every Monday morning, Ravinia President and CEO Welz Kauffman boldly goes to the WGN TV studios for the on-air “Ravinia Minute” with announcer Mike Toomey. He previews the events Ravinia offers in the coming week. This week, his delivery was "Spock on” as he got into character to discus the Aug. 16 presentation of J.J. Abrams’s 2009 Star Trek, with the Chicago Symphony Orchestra performing the score live. See what it takes for an Earthbound CEO to beam up to the Enterprise.

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Ravinia CEO Is Lookin’ Sharp as Edward Scissorhands on WGN

Every Monday, Ravinia President and CEO Welz Kauffman appears with announcer Mike Toomey on WGN’s “Ravinia Minute” segment which airs in the 9 a.m. hour every Monday on WGN-TV. Each week Welz highlights upcoming events at the festival and presents them in very creative fashion. Today, he took a stab at something new, costuming up as

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