Ravinia Magazine
Seth MacFarlane is jazzed.
Hollywood’s most prolific hyphenate (animator–director–writer–voice artist–actor–producer) is taking time this summer to indulge in another of his passions—
In looking back over my years at Ravinia, it is almost impossible to gather my thoughts in a linear fashion. The memories are so many; the musical experiences so rich, varied and exciting; the immense presence of the Chicago Symphony Orchestra so monumental, that it is difficult to condense into words.
Since I became music director of the CSO’s residency in 2005, I have been struck by how many music lovers I have met around the country and even overseas, who have told me that they heard their first concerts at Ravinia.
I recently had one of those conversations that only occur between opera lovers and non-classical-music-loving friends. I mentioned having attended a performance of Debussy’s opera Pélleas et Mélisande with the Chicago Symphony Orchestra, an offering in their recent French festival. “An opera?” my friend asked, with a puzzled look. “Don’t operas have to be in Italian?”
“When you make a record on a major label, especially if you’re not a huge artist, you end up having to make demos. A lot of demos. When you record a song more than once, it loses something every time. I really loved getting to make a record where those moments—albeit less refined than if we’d worked them out—those moments sound like the songs still had control over us, as opposed to the other way around.”
He’s been putting a masterful spin on the Great American Songbook since the 1950s, earning the unparalleled distinction of landing albums on the Billboard charts in every decade from then through the present, selling over 50 million titles, and scooping up 18 Grammy Awards, a pair of Emmy Awards, plus a plethora of other esteemed distinctions too numerous to mention. She’s been one of the most provocative and creative presences in pop music since
There are two current trends in classical music presentation that are driven by a desire to connect with younger audiences, a reflection of the fear among many that the graying of contemporary audiences bodes ill for the future of the genre. There is ever-increasing adoption of visual media like YouTube to extend lines of communication beyond the live concert experience or traditional audio-only, hard-copy studio recordings. Another is
Some years ago I was browsing through bins of CDs at a music superstore and one album virtually jumped off the rack and yelled, “Buy me!” The album was entitled Hush, and pictured on the cover were two smiling gentlemen I admired very much: cellist Yo-Yo Ma and the inimitable, multiple Grammy Award–winning singer and conductor Bobby McFerrin.