The Ravinia Music Box (RMB) and its immersive theater experience, titled Bernstein’s Answer, is now fully open to the public.
The RMB features an immersive, 65-seat, wraparound 4D theater with a museum gallery space, created by BRC Imagination Arts, the experience design and production company behind the Rock & Roll Hall of Fame in Cleveland, the Abraham Lincoln Presidential Library and Museum in Springfield, and the Ryman Auditorium Backstage Tour in Nashville, among many other brand and cultural destinations.
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“My life in opera has been very nonstandard,” admits bass-baritone Davóne Tines in attempting to describe a unique and groundbreaking career. In his credits, there are leading roles in world premieres such as Matthew Aucoin’s Crossing, John Adams’s Girls of the Golden West, and Terence Blanchard’s Fire Shut Up In My Bones, as well as collaborations with director Peter Sellars, and then there’s a series of pioneering works-in-progress that Tines himself is helping bring into being.
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One way to garner extra ears is to lure listeners with cover songs. So Lake Street Dive recorded Fun Machine, an EP featuring their takes on beloved pop tunes, including “Faith” by George Michael and “Rich Girl” by Daryl Hall and John Oates. The strategy proved to be their tipping point into much broader success, thanks in particular to their acoustic, bluesy cover of “I Want You Back.”
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John Hiatt’s diversely rich, respected, and rowdy vocation has been a series of perfectly turned phrases with some perfectly good guitar. And now he’s adding some insightful, lingering “leftover feelings.”
Hiatt’s may not be a name you immediately recognize, but he’s always been there. “I like to sneak up from behind,” Hiatt says slyly. You’ve certainly heard many of the songs he’s written during an acclaimed career that includes nine Grammy nominations and the highest praise from peers and fans alike.
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Ravinia Steans Institute alum and violinist Maria Ioudenitch recounts her memorable experience being a fellow in the Program for Piano and Strings for two consecutive summers.
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This year’s Ravinia Women’s Board fundraising gala raised a total of $750,000 to support and promote the festival’s Reach Teach Play education programs, which serve more than 75,000 community members each year.
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There’s a certain irony to the title of singer-songwriter Brett Dennen’s latest long player, See the World, considering that the bulk of it was penned when the entire globe was closed. However, upon closer examination of the project that brings him to Ravinia’s newly established and delightfully intimate Carousel Stage on Wednesday, August 4, not every moment is quite so literal in the nomadic or exploratory sense, starting with the classic-in-the-making title track.
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What could be more exciting for rising stars violinist Stella Chen and violist Matthew Lipman than performing again in front of a live audience after more than a year of a pandemic-forced hiatus? How about making their Ravinia Pavilion stage debuts together, performing for the first time with the Chicago Symphony Orchestra?
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It’s pops night, which means fun is on the menu! Even the word itself conjures up blissful thoughts of relaxed musical evenings with friends and lots of irrepressible toe-tapping.
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Yacht rock—it’s a term that has been used and reused, a term that has been somewhat understood but frequently confused, a term that brings with it a slew of different feelings from those who essentially find shelter within it from the reality of the present time. And it’s a form of music that Yacht Rock Revue has built an impressive career on.
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Out of a constant need to renew and update itself, the classical-music world is always looking for the new, and, 35 years ago, no budding star burned brighter than Midori.
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Get familiar with our new seating options for 2021 as well as new digital ticketing and other ticket buying tips. Plan ahead for your summer of live music.
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Jonathan Rush is one of the world's most exciting young conductors and the students of Sistema Ravinia were instantly inspired and moved by his craft and dedication. They saw that being the best wasn’t far from their reach, which is exactly what Rush wanted to accomplish when meeting these students.
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American soprano Julia Bullock is not your standard-issue, rising young operatic diva.
The sound of Bullock’s voice—rich and warm with a smoky undercurrent and glints of steel—is inimitable. She could easily spend her career traveling the world singing standard operatic repertoire. Since graduating from Juilliard in 2015, however, she has put her voice in service to programs that go far beyond the classical repertoire’s usual boundaries.
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Inaugurated by the Chicago Jazz Orchestra Sextet on July 3, the brand-new Carousel Stage at Ravinia offers a series of casual evening performances of jazz, folk, and bluegrass music, hosted in the carousel-styled rotunda on the North Lawn with general admission Lawn seating only.
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Ravinia’s Reach Teach Play students, families, and partners attended Chicago Festival on July 3, a special event featuring Chicago-area artists to thank the invited audience of essential, frontline, and healthcare workers; first responders; neighborhood partners; and families who participate in RTP programs for their efforts and dedication over the past year.
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For Grammy-winning, internationally renowned jazz impresario—and Chicago native—Kurt Elling, Ravinia Festival’s famed “music under the stars” have aligned into his lucky stars.
Elling (a former divinity student) baptizes Ravinia’s new, intimate, outdoor Carousel Stage on the North Lawn with jazz guitar virtuoso Charlie Hunter. The two will debut new music from their daring new album SuperBlue, which drops in September.
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Ravinia is partnering with Chicago’s classical radio station WFMT to present a special live broadcast of the opening concert of the Chicago Symphony Orchestra’s residency at the festival on July 9 – a program led by Ravinia Chief Conductor and Curator Marin Alsop and featuring pianist Jorge Federico Osorio. This performance will mark the first major post-pandemic classical music event in the Chicago area presented before a large audience.
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Composer Stacy Garrop spends little time in the proverbial ivory tower. Some of her recent compositions have focused on contemporary topics ranging from the late Supreme Court Justice Ruth Bader Ginsburg (My Dearest Ruth) to the fraught balance between human beings and planet earth (Terra Nostra). But last year’s endless churn of dire headlines nearly swamped one of her newest works, The Battle for the Ballot. A 17-minute piece for narrator and orchestra, it will have its Midwest premiere at Ravinia July 10 with Marin Alsop conducting the Chicago Symphony.
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Get to know pianist Jorge Federico Osorio before he rejoins the Chicago Symphony Orchestra onstage for the opening night of its annual residency on July 9, where Osorio will play Mozart with Marin Alsop.
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